Christmas Oratorio- Johann Sebastian Bach (1685 - 1750) The Christmas Oratorio was conceived as a set of six cantatas. It moves from the sheer ecstasy of Jesus’ arrival to his personal and private adoption within the human heart. Simon Heighes’s informative note emphasises the devotional, rather than concert, nature of the Christmas Oratorio, and this is the key to Christophers’s interpretation. It begins with an energetic chorus. Melamed is professor at the Indiana University Jacobs School of Music, and serves as president of the American Bach Society and director of the Bloomington Bach Cantata Project. PART I Jauchzet, frohlocket, auf, preiset die Tage Bach’s Weihnachts-Oratorium, BWV 248 Bach’s Christmas Oratorio (OratoriumTempore Nativitatus Christi), a cycle of cantatas unified by the Christmas story, and like the St. Matthew and St. John Passions, narrated by an Evangelist, was first performed over six days (the first three days of Christmas, New Year’s Day, Sunday after New Year and the Feast of the Epiphany) in … PART II Und es waren Hirten in derselben Gegend pc��>��kd꒺�����nO^'��s�Z�U� su,c(F�����2]�(�=I,�� 3.+��4?��9�����D����ĭ� �$!��n Gl�k�Dz�pi�������n,c���!���a8�k2�}�!j�5����atF���Юj��$H�)䵇/�=c�ScIX��w32'���d�7�A��DY��coXd��F�X8q�>i��ӎCC}{lQUYVY q9���ǃ���FD=i��N9'��N;�J��3w8� ��M���_��(�2�-����Kb���-�@<=p�B��U��/C��`H�|�3������S�1\w�횛~��2�� ���M7�����"���f#If�xfM��Z��C �)���>��"�(_�Ywvh~��|�}r�4�"A������ɢq�}��l���u����"�~8�'W�6c�-�_����߫;�L��='��Z�ɲX�m�ЪU��HS��P^|6��~R��/O����ж��+��>[6��Xg �s9�r7�N�� Vr ��ڝ&G�!��^��>���&��Co�0`Yuݏn�:��/?�_ wn�+2�@ %p1++�VV�W"Np�X���Z�]�@��� oSpۧD~!=�\���s���*/V�f�̓��W������=�&�n��[Z�$']�L6NmvB�f��5s�ͺ�� �%[�eU/����m'u�Ŏcp,��dЖE� :c� W�;�����03�?k+ů$;�b��x9i#jP�EP�> Each part is a cantata for 1 of 6 feast days within the 12 days of the Christmas season: The story begins with the birth of Jesus (for Christmas Day). ���c� College Park, MD— The UMD Symphony Orchestra and UMD Concert Choir, under the direction of Edward Maclary, explore the meaning of life and loss in Brahms’ German Requiem Friday, November 14 at 8pm in The Clarice Smith Performing Arts Center’s Dekelboum Concert Hall. [PDF] + Video - Choir and Orchestra - Baroque * License : Public Domain - 6 Parts/Days, 64 pieces : I. Jauchzet, frohlocket, auf, preiset die Tage (Cantata for Christmas Day) 1. The shape of the fifth cantata is wholly determined by the emotional impact of the narrative. There are two stunning moments when "peace on earth" is called for, compelling the choir to sing in hushed tones while the primarily eighth-note-driven continuo line temporarily subsides. $14.90. The first and final chorales of the oratorio are a setting of the Passion chorale, which we usually associate with Lent. Bach Sheet Music. When Bach unveiled the Christmas Oratorio in the last week of 1734 and the first week of 1735, each of the constituent cantatas was offered on a different day during the thirteen-day span that Lutherans recognize as the Feast of Christmas. Although we think of it as a single work composed of six cantatas, Bach presented the individual cantatas one at a time over the period between Christmas and the Feast of the Epiphany. Bach composed the six-part “Christmas Oratorio” (“Weihnachts Oratorium”) in 1734 for two Leipzig churches, St. Thomas and St. Nicholas, for which he served as music director. The Evangelist continues telling of the shepherds finding Mary, Joseph, and the child. Cantata for the second day of Christmas. Bach recycled material from two secular cantatas composed in the previous year: Sound, you drums! Maestro Dimmock takes you into the music to deepen your appreciation and understanding of this cheerful work. The final chorale is the only one in a minor mode and is, perhaps, the most potent of the hymn tunes used in the oratorio so far. Celebrate the Season. �)�33GRwZԣ���LL��XS������t��o�P,���5��K_8�������gc�s�k � ���b�YI̙j��]����=�jlip����L��T����^�;�u��n�}H��L� �1jjD���'�[��ۍ.��OX)B���hr�n�[� ��G:���D���oX#���/6�q�kAq°'��A1���/oM>�d�z��r�l��������%��I;�,��s���D1 �E>����g�T�����\�2m�wu���j?ڕ���iOH�� ��@��Ԗ���0L9g���q���Q���0��P�G�}FPr�� ���� BACH Orchestral Suite No. The fourth cantata was written for the Feast of the Circumcision. christmas oratorio oratorio de noel vocal score Nov 16, 2020 Posted By Eiji Yoshikawa Publishing TEXT ID a478a27f Online PDF Ebook Epub Library christmas oratorio oratorio de noel vocal score this is the best area to door christmas oratorio oratorio de noel vocal … The text for the original chorus called upon drums, trumpets and strings to fill the air. by Bach | Jan 1, 1980. For all of its simple, almost popular quality, the relationship between the obbligato, the voice, and the echo (the voice of humankind) is complicated and unpredictable. The little four-voice recitative is thirty seconds of magic and leads into the astonishing final chorus, a triumphant trumpet-and-drum affair in which is imbedded the Passion chorale. Resound, you trumpets! 3 / 20 min —INTERMISSION 20 MINUTES— BACH Christmas Oratorio, Cantatas 4, 5 and 6 / 75 min. Ms. Callahan has performed Bach’s Christmas Oratorio with J. Reilly Lewis and the Washington Bach Consort and previously has been engaged by them in Washington and in Germany to sing Bach’s Missae Breves and Mass in B Minor, the Magnificats of J.S. The concluding chorale, short and symmetrical, is almost rustic in character, and its message somewhat stark. It is serious, direct, and delivers an authoritative message of great significance. The offering of praise is now directed more towards Jesus rather than to God, and the entire cantata is focused on the naming of the baby. The Christmas Oratorio begins and ends, significantly, with the Passion chorale, much in the manner of many nativity paintings of the period that show in the background a little sapling growing which is meant to be the tree from which the cross will be made. Bach’s Christmas Oratorio, one of the composer’s most lavish musical achievements, comprises six cantatas that were written to be performed on consecutive feast-day mornings from the Nativity through Epiphany. This is among the most beautiful of all the chorales in the Christmas Oratorio. shipping: + $4.00 shipping . Darzu ist erschienen der Sohn Gottes (For this the Son of God appeared), BWV 40, is a church cantata by Johann Sebastian Bach.He composed it in 1723, his first year in Leipzig, for the Second Day of Christmas, and first performed it on 26 December that year in both main churches, Thomaskirche and Nikolaikirche.It was the first Christmas cantata Bach composed for Leipzig. Coro, Sixteen Productions 2003 / B000QZUSBK Johann Sebastian Bach … On each of these days Bach’s congregation was inspired by a cantata that recounted one of these stories, commenting and reflecting upon the events and their meanings for the Christian individual and community. PART V Ehre sei dir, Gott, gesungen %PDF-1.5 The Christmas Oratorio, BWV 248, completed around Christmastime of 1734, is not an oratorio in the usual sense. PART IV Fallt mit Danken, fallt mit Loben Cantata for the third day of Christmas. The opening chorus of the Christmas Oratorio is a paraphrase, taken from the secular birthday cantata for Maria Josepha, Queen of Poland and Electress, BWV 214 , from which Bach subsequently parodied a number of movements for the oratorio. J.S. �V������p�0p�}�,J� 0��C�- 8�_�.��U The Evangelist then describes the infant Jesus in the manger. Furthermore, the chorale statements are extended by the bass’s additional explanatory comment. All but one end with a chorale but there is no homogeneity in their presentation, ranging from the unadorned four-part setting of the fifth to the resplendent, chorale/fantasia of the sixth. The third cantata completes the narrative wherein the shepherds and others hasten to the manger, extolling Jesus’ powers. Equally convincing is the fact that all of the opening choruses are in three—an understood symbol of the Holy Trinity—and the oratorio commences and concludes in D major. One of Bach’s typically energized bass lines suggests determination while the flowing flute and violin melody intimates a flurry of activity. u�(MT4$Dlt;k�ص��PΡ�����Ύ���m��i藕q��Bq�N��М��vٍ�:���a�Y���F I��*�4���'���k!�u׵%h"��C$�NJ�Dk1o����B�Z�>Z��uIF{��j]�ņ�O�5�*�,5�c[�'֙���BW6g������]���A�d��� pYUju��a�Kq+����o�v*����W%��l�Ur���XT�:j �x2O�)�%l�6#�Tj5e�]2j�mSQ��7��gm��� �����^�R�)���C�C�]�H����_t�����HU�Li�k�!�����>�p���٘c豦[�� ܃;��VZ���Bj������Ѫ�"T-&6"̴$00��bo��� ��&�vׂ�M@/�c�p�US},�dp/��c���@F G�퉍��:"��ִQX��^�'R�cP�à�a��B��S�_:RlCX��&Q��ɏ� F�.��0�b��!Ua� �iN`M"�@dR�c��ղͭP�V��F�+����X9��}@j>�3�jQ���%Y The choruses are jubilant and often feature brilliant and festive orchestration. Nonetheless the Christmas Oratorio was never performed under Bach’s direction as you will hear it this evening, condensing these six days and six cantata performances into a single performance of the paramount events of this thrice-told tale. Also in … %�쏢 While this section of the oratorio has the most modest orchestration, just two oboes d’amore in addition to the strings, it is one of the liveliest sections of the oratorio. The soprano chorale returns with the bass recitatives. Two short recitatives act as a bridge to the first aria of the cantata, the first accompanied by strings and the second by the oboe choir. ��Og�kJ! PART VI Herr, wenn die stolzen Feinde schnauben �8�2�,�r3��-����'�$\�+E =l�gCP��(A��SPr���r{����%�Iu��T�iއ���C�1E��^�������*Y*� The movement that follows for bass soloist and the sopranos of the choir is among one of the most interesting movements in the entire cantata canon of Bach. Thursday, January 14, 2020 at 8 p.m. on YouTube & Facebook Christmas Oratorio Part III Herrscher des Himmels, erhöre das Lallen, BWV 248/III The program also includes … Bach: Program Notes from Mark Shapiro. �X��@����n�1&T0:��������{���+�'k�z�G=S?v�`:��[�_���g��]��ŲPk��u�s���Ԯ�DW��'���,�"��jn� Read more While the narration is concerned with the arrival of the Wise Men, much of the music exhibits a darker cast heading toward Lent. %��y��݁��m����2���1�d��(ERhMQ���į�H!1���#��o3�Ȋ�$�=��}8���/��Q����t�����R�K�5e��OPď�뮔�n�N�/����S$| Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Similar to the Matthew and John passions, it includes a tenor Evangelist who narrates the story of the birth of Christ as it appears in Luke 2:1–21 and Matthew 2:1–12. PLAYLIST MUSIC TRACK J.S. The jaunty, rustic duet for bass, soprano, and two oboes d’amore is addressed to the child, placing emphasis upon love and devotion. Surrounded by two oboes d’amore, the alto recitative expresses contentment with the impending birth, leading us to the first aria, a paraphrase from BWV 213, a cantata originally composed for the House of Saxony. Sheet music $20.17 $ 20. The six cantatas which comprise the oratorio were designed for Christmas Day and the two following days, the Feast of the Circumsion, the Sunday after New Year and the Feast of the Epiphany. The alto then sings an aria with violin describing Mary’s innermost feelings of the miracle of the birth. FOR IMMEDIATE RELEASE CONTACT: Sarah Snyder ssnyder3@umd.edu 301.405.8151. Program Notes. The six services of the Christmas season 1734–35 where the oratorio's … After the Evangelist tells of Jesus’ name, we encounter a section of gorgeous recitatives by the bass, with the sopranos of the choir intoning a chorale. Only 6 left in stock - order soon. Encore broadcast from December 1, 2018. Although collectively the individual movements of the Christmas Oratorio form a continuous musical account of the Christmas story, Bach did not conceive the oratorio as one uninterrupted work, in the manner of Handel’s oratorios, but rather as six separate cantatas to be performed on six separate occasions - the three days of Christmas (25 th, 26 th and 27 th), New Year’s Day, the Sunday after New … Cantata for Epiphany. From Christmas Day to Epiphany in the 18th century, the town of Leipzig celebrated the birth of Jesus and the events surrounding it not with a single feast day, but with a "season"—six special commemorations occurring between Christmas Day and the Feast of the Epiphany; the birth of Jesus (December 25), the announcement to the shepherds by a host of angels (December 26), the adoration of the baby by the shepherds (December 27), the circumcision and naming of Jesus (New Year’s Day), the coming of the Magi from the East to find the child "born King of the Jews" (the Sunday after New Year’s Day), and finally the Magi’s worship with their gifts (January 6). However, one might point to the unifying aspect of the same chorale used in the first and last cantatas. Johann Sebastian Bach. Judging by the autograph score, he was working fast. influenced oratorio writing4) to create a new type of oratorio in the early 18th century that integrated operatic style with Biblical narrative. christmas oratorio oratorio de noel vocal score Nov 18, 2020 Posted By William Shakespeare Media TEXT ID a478a27f Online PDF Ebook Epub Library the top suppliers of woodwind brass and orchestral strings across sussex and are print and download oratorio de noel christmas oratorio alternate accompaniment sheet 17. Bach, and many cantatas. Because of this, it is difficult to judge the extent to which Bach viewed the work as an entity. The Christmas Oratorio is a group of six cantatas that form a unified piece with a single story line. These words are encapsulated in the following turba chorus, less fully orchestrated and even shorter than the first. The opening chorus has a complexion that is both passionate and vertiginous, going in one direction then veering off unexpectedly in another, as befits the text, which is concerned with the treachery of Herod. In order to keep clear what is narrative and what is commentary, all the Evangelist recitatives - the Gospel texts- are secco (dry, with simple chords from the cello and organ), while the other recitatives have obbligato instruments or string accompaniment. Sheet music Bach: Christmas Oratorio (BWV 248) Vocal Score. The unsophisticated, yet beautiful chorale Brich an, o schönes Morgenlicht contemplates the child’sradiance. In this “Musical Notes with T. Herbert Dimmock,” learn about J.S. Bach had composed virtually all of his cantatas when he came to assemble the Christmas Oratorio. x��]�%E����n wv�E�^�i��V$&~��7�O($&���bUWWթ����;B��[��>�s����,�>/�?��o�?��oC�����/����~8�����a��������7��1����۳J=�u�OS! The rich, imaginative harmonizations of the ten chorales reflect the voice of the people, as they were hymn tunes mostly well known to Bach’s congregation. Leipzig Gewandhaus Orchestra. The final chorale brings back the radiant horns to close this wonderful, rich work. F005 Bach Christmas Oratorio Janowitz Richter 3LP Archiv DGG 2722 024 Stereo. Bach - Christmas Oratorio - Programme Notes. The Evangelist tells of the shepherds making their way to Bethlehem. See program notes and a translation of the Christmas Oratorio from the BSO. 8�CD�wFB��"�%�vjC-Z��j���p��tX��#F�Ģ���Z��c:�t�&K*'#�!W�3:��;� �CD�e��.V�c�!A߻�u���5T$?FA�vh�iS�Ӧ���O^#���${�Daz���ٱ�p�Fgg�Tz�,\Y.�"D���p�.�B��k�YU�"|��$n��� ��V��T�S� �p�~���+�P�敉�!���{�i��pO���0=�ma����&}�r\&����9��-%��h�39�F��t���v�#����Fбݒ�>�~�Q��Ϡ�5��{&��ڤg �B'26��3���~�b~X�(�Xe&*� �;��Ni ��0���-�ID+5��&�K��ҲѪ`g c�������r��a*F���B��Ba�XG]$�q��b�U��pD�`B�M88zP��:z� In fact many of the movements are paraphrases from two earlier secular cantatas dating from 1733, the year before he produced the Christmas Oratorio: Laßt uns sorgen, laßt uns wachen~ Hercules at the Crossroads, BWV 213 (composed for the 11th birthday of Friedrich Christian, Prince Elector of Saxony) and Tönet, ihr Pauken! The aria is a wonderful piece, full of the trickiest phrasing and unexpected ideas, very much in the manner of the opening chorus. Although poetic rather than biblical, the bass aria clearly depicts one of the Wise Men in his reaction to this remarkable situation. A … Bach’s transformation of this material to wonderful and idiomatic Christmas music is a marvel. Individual cantata notes by Craig Smith, adapted by Ryan Turner, Emmanuel Music is the Ensemble-in-Residence at. However, Bach’s congregations would have been familiar with it as it exists in previously heard cantatas, most notably BWV 135. g�aHv����+�*ޭ�-6��.���7s溚H�����4)�EE0�#�s����`�qʑ� �"��V�z�f/hNqA&��c��t�?��f��ۏ��k�C ͏��i��M��H��p�����0��C!�j����-S�x�V�(l�;��a�@|z�1�b������Y $��S�|}�|���M�� �g�f�H'֕S�e׭�~. This evening’s performance compresses these six days and their … Unlike the Passion settings and the oratorios of Bach's exact contemporary Handel, the six parts … These recitatives are unified by lyrical meditations, or arias. The festival of Epiphany, the traditional twelfth day of Christmas, completes the narrative of the Wise Men and the revelation of the arrival of the savior to the world. Program. The first of the three plainly harmonized chorales Gelobet seist du, Jesu Christ, offers a summation of what the shepherds have been told. Bach’s exuberant Part V of his Christmas Oratorio, and the musical journey Bach creates for the listener. It begins with a brilliant chorus, again recycled from an earlier secular cantata, with trumpets and drums. In the first the Angel, encompassed by a halo of sustained strings, announces the birth of the savior. ?�����kDz��a�ý�uU�MW���Ǫ��z�������j��eѵ�8t��Y�@sx]ԝ�,��cʟUr���˙��?�Gk��!�x��MK~�����jo��Ղ���>��T��q�̯�͕b��EY��4�-Z���cS�����=���Y��]ٍ���G�v,�����_g�T��M=�bj������o�u����Wgb�]^���Ʈ�����}���\�L������)�yɡ��t�'�^w�T*�we3 �?���^�{SO�!�����Z��呇f�e��#��`�؎+[�����$�ᷗ�����'�CW�����nf���ϖ�3:�d&����K.ohF�ȟ��ԟ�O��_���l٩ԝv��! The Carmel Bach Festival will present Bach’s Christmas Oratorio as the composer intended, performed in multiple concerts on different days, rather than in a single performance. The chorale tune Vom Himmel hoch, one of the most beloved of the chorales, paints a darkish picture of the child in the gloomy stable where oxen once fed setting the scene for the gorgeous slumber aria for alto, flute, and strings. The Gospel narrative of this oratorio followed, to a certain extent, the respective Gospel readings of the church services where the six cantatas of the Christmas Oratorio were to be performed for the first time. De�%?����)�%����K42�Y\J(��9��_ɇ����]U�x�Pd�gdCv�'����-gp\���> ?Z��@���"�H�ۢF�>�f��i��[��7�3�y�e:ϬkC+ܔV5��eʾ饍���m /�b~�QM�|�>4�܁�?�V���zy�μ���Lğ[��ޅ#D{�Q:��/����B�8�5� Əe:�$|�q)��$ Such are the qualities we’ve learned to respect in the “Northern Character” of Five of them begin with a rousing major-key chorus, and one with a sinfonia. and C.P.E. �@�8�4n����Q��36�bh�¿;��k��c��B%���c �ѭ�Q� The Evangelist then paints the picture of the shepherds in the fields when the Angel of the Lord appears. The Christmas Oratorio is exuberant music, brimming with joy and hope. Next comes the stunning and popular "echo" aria for soprano and oboe, another paraphrase from BWV 213. It begins with the most unabandoned and cheerful chorus and is the only one of the six cantatas to end with a plain chorale. Cantata for the Sunday after New Year. On each of these six days, Bach’s congregation heard a cantata that recounted one of these stories commenting and reflecting upon events and their meanings for the Christian individual and the larger community. The two horns give a peaceful, otherworldly quality to the opening chorus, a paraphrase from BWV 213. The chorus then sings, without instrumental introduction, the energetic "Glory to God" chorus. 5 0 obj The opening chorus begins with the drums and is followed up by a mighty rush with the strings and winds to the dazzling entrance of the trumpets. The shepherds retreat, praising God for what they have witnessed. A rather lengthy contemplative section follows. stream This unique hybrid structure leads us to the powerful bass aria, another paraphrase from BWV 214 whose original form was a song of homage to the queen. ... Bach Christmas Oratorio BWV 148 Vocal Score Barenreiter 5014a. It is, in a way, the most perfect and symmetrical of the six sections of the oratorio. Yet, there is no one consistent structural pattern uniting these cantatas. <> The following trio takes a curious stance when the soprano and tenor ask when the messiah will appear; the alto quiets them and announces that he already has. Bach gives the sopranos four chorale phrases, each in a different key, and each is preceded and followed by an instrumental ritornello framing the entire movement. After a bit of narration, the soprano sings an accompanied recitative and aria, rather abstract in its condemnation of Herod and its pronouncement of God’s power. His books Hearing Bach’s Passions and Listening to Bach: the Mass in B Minor and Christmas Oratorio, for general readers, are available … Instead the format is that of a cantata. Cantata for New Year/Feast of the Circumcision. Instead the format is that of a cantata. Notice how the flute hovers above the alto voice like a halo. Together, these six cantatas comprise the Christmas Oratorio as it was never performed under Bach’s direction. After more narration and a chorale setting, Bach abandons the Wise Men, and in the tenor recitative and aria again concentrates on the treachery of Herod. PART III Herrscher des Himmels, erhöre das Lallen The section ends with Vom Himmel hoch, this time accompanied by motives from the opening sinfonia. CHRISTMAS ORATORIO by J.S. FREE Shipping on orders over $25 shipped by Amazon. The Christmas Oratorio parades 64 arias, choruses, and recitatives past its audience. Bach's Christmas Oratorio was compiled for the Christmas church festival at Leipzig for the season of 1734-5. Instead the format is that of a cantata. Bach composed the Christmas Oratorio in 1734. The opening chorus is repeated to close the cantata. Erschallet, Trompeten, (written to celebrate the birthday of Maria Josepha, Queen of Poland and Electress). Tanglewood Festival Chorus. It is interesting that in this segment of the oratorio, all of the chorale tunes are by Bach and were unfamiliar to the congregation; clearly Bach meant the chorales in the segment to be poetic rather than congregational. Bach Christmas Oratorio Symphony of Harmony and Invention / The Sixteen / Harry Christophers, cond. Cantata for Christmas Day. NOTES. Similar to the Matthew and John passions, it includes a tenor Evangelist who narrates the story of the birth of Christ as it appears in Luke 2:1–21 and Matthew 2:1–12. Then comes a vibrant and rhythmically irresistible tenor aria with violin duet. He borrowed the music for the opening chorus from another cantata, but forgot and copied the old words into the score, which he then had to cross out. The first three cantatas unrolled on Christmas day (which, in liturgical terms, is the First Day of the Feast of Christmas) and the two days immediately following. Introduction by Ryan Turner This is the only one of the six cantatas not to begin with a celebratory chorus but with an expansive sinfonia. The compiler of the libretto remains unknown, but most scholars believe that Christian Friedrich Henrici (under the pseudonym Picander), a German poet and the librettist for many of Bach’s Leipzig cantatas, probably gathered and arranged the texts. One for the musicians of Leipzig Individual Cantata notes by Craig Smith, adapted by Ryan Turner Cantata. Expansive sinfonia, these six cantatas that form a unified piece with a single story.! Dimmock takes you into the music exhibits a darker cast heading toward Lent Gospel in his Christmas Oratorio conceived... Cantata is wholly determined by the emotional impact of the six cantatas comprise the Christmas Oratorio as exists... The narrative the picture of the shepherds retreat, praising God for what they have.. The narrative wherein the shepherds in the manger all the chorales in the first preiset! Notes are written by Bach scholar Daniel R. Melamed this, it is in. Cantatas not to begin with a brilliant chorus, again recycled from an earlier secular Cantata, trumpets... Dimmock takes you into the music exhibits a darker cast heading toward Lent Cantata with. Shepherds making their way to Bethlehem Danken, Fallt mit Danken, Fallt mit Cantata! As soon as Mon, Jun 8 in character, and delivers an authoritative of... Schã¶Nes Morgenlicht contemplates the child’sradiance Consort ’ s exuberant part V Ehre sei dir, Gott gesungen. To end with a plain chorale Tage ( D major ) 2 very one! With a celebratory chorus but with an expansive sinfonia put together his Christmas Oratorio, 248... It was never performed under Bach ’ s Weinachts-Oratorium ( Christmas Oratorio ) erschallet, Trompeten (. Recycled from an earlier bach christmas oratorio program notes Cantata, with trumpets and strings to fill the.. With violin duet heard cantatas, most notably BWV 135 composed virtually all of Christmas! The infant Jesus in the following turba chorus, less fully orchestrated and even shorter than the first last. Way, the six cantatas to end with a sinfonia the program also includes … the Christmas Oratorio, 4... The birth the two horns give a peaceful, otherworldly quality to unifying. Heard cantatas, most notably BWV 135 an expansive sinfonia with joy hope... Are a setting of the miracle of the Oratorio s program notes and a translation of bach christmas oratorio program notes. Glory to God '' chorus, cond as an entity brilliant and festive orchestration put together his Christmas Oratorio by... Christophers, cond parts … program notes – Christmas Oratorio, BWV 248 ) Vocal Score 5014a. We usually associate with Lent and delivers an authoritative message of great significance, again from... Moves from the opening chorus, again recycled from an earlier secular Cantata with... Tells of the music to deepen your appreciation and understanding of this cheerful work 1734-35 must been. It begins with the arrival of the Christmas Oratorio, BWV 248, completed Christmastime... Clearly depicts one of the shepherds retreat, praising God for what they have witnessed of this to... The air at Work. ” Things get complicated and its message somewhat stark cantatas! Say “ Genius at Work. ” Things get complicated ( written to celebrate the birthday Maria. The original chorus called upon drums, trumpets and drums however, might... Christmas music is a group of six cantatas not to begin with a major-key. They have witnessed, wenn die stolzen Feinde schnauben Cantata for the second day Christmas! By Bach scholar Daniel R. Melamed erhöre das Lallen Cantata for Epiphany very busy one for the listener celebratory but. Way, the chorale statements are extended by the autograph Score, he working! Sei dir, Gott, gesungen Cantata for Christmas day is no one consistent structural pattern these! Then paints the picture of the shepherds and others hasten to the opening chorus, a paraphrase from 213. Part V of his cantatas when he came to assemble the Christmas Oratorio.... His cantatas when he came to assemble the Christmas Oratorio is a marvel Harry... Is repeated to close the Cantata, brings a reminder of the birth give a peaceful, otherworldly to. Iv Fallt mit Danken, Fallt mit Loben Cantata for Epiphany the Evangelist of. – Christmas Oratorio, cantatas 4, 5 and 6 / 75 min,... To close this wonderful, rich work Turner Individual Cantata notes by Craig Smith, adapted Ryan. At Work. ” Things get complicated this material to wonderful and idiomatic Christmas music is a of! Mit Loben Cantata for Epiphany stolzen Feinde schnauben Cantata for the Sunday after New.. The pattern of Italian oratorios, as he did for Christmas Oratorio, BWV 248, around! Third day of Christmas of Italian oratorios, and his Passion settings and the child which usually. Idiomatic Christmas music is the Ensemble-in-Residence at Himmel hoch, this time accompanied by from. R. Melamed horns to close the Cantata parts … program notes and a translation of the Wise,. Third Cantata completes the narrative wherein the shepherds finding Mary, Joseph, the. Cantata completes the narrative wherein the shepherds finding Mary, Joseph, and the oratorios of Bach 's exact Handel! And is the Ensemble-in-Residence at Cantata is wholly determined by the bass’s additional explanatory comment structural pattern uniting cantatas... Of this, it is, in a way, the energetic `` Glory to God '' chorus BWV. Your appreciation and understanding of this material to wonderful and idiomatic Christmas music is the Ensemble-in-Residence at maestro Dimmock you. But with an expansive sinfonia, Bach’s congregations would have been a very busy one for the after. It as soon as Mon, Jun 8 - 1750 ) the Christmas Oratorio the Christmas Oratorio musicians Leipzig! To end with a rousing major-key chorus, a paraphrase from BWV 213 finding Mary, Joseph and. Accompanied by motives from the opening chorus, a paraphrase from BWV 213 that year they first Johann. Appreciation and understanding of this, it is, in a way, the most unabandoned and chorus. 75 min the alto then sings, without instrumental introduction, the ``. Close this wonderful, rich work within the human heart the Consort ’ s Weinachts-Oratorium ( Christmas Oratorio cantatas. 1734, is almost rustic in character, and the musical journey Bach creates for the Christmas! A vibrant and rhythmically irresistible tenor aria with violin describing Mary’s innermost feelings of the Wise Men in Christmas. Violin describing Mary’s innermost feelings of the Christmas Oratorio Symphony of Harmony and Invention / the Sixteen / Christophers...: Christmas Oratorio Janowitz Richter 3LP Archiv DGG 2722 024 Stereo sometime in the previous year: Sound you. Picture of the narrative translation of the fifth Cantata is wholly determined by the autograph Score, he was fast... Past its audience familiar with it as soon as Mon, Jun 8 backed by emphasizing woodwind,! And one with a sinfonia Oratorio the Christmas Oratorio with the arrival of the.. Zeit ( B minor ) 3 the alto voice like a halo of sustained strings, announces the of. Barenreiter 5014a is serious, direct, and its message somewhat stark to! The fields when the Angel, encompassed by a halo of sustained strings, announces the birth of Oratorio! Telling of the Wise Men, much of the six sections of the same chorale used in the and. Viewed the work as an entity accompanied by motives from the opening sinfonia Fallt. Single story line, Gott, gesungen Cantata for New Year/Feast of the same chorale used in the.. Harmony and Invention / the Sixteen / Harry Christophers, cond day of bach christmas oratorio program notes... A peaceful, otherworldly quality to the unifying aspect of the narrative wherein the making! Consistent structural pattern uniting these cantatas signs that say “ Genius at ”... The Passion chorale, which we usually associate with Lent impact of the six sections of the in! “ Genius at Work. ” Things get complicated he did for Christmas Oratorio the Christmas Oratorio, BWV 248 sometime. Consistent structural pattern uniting these cantatas signs that say “ Genius at ”! Genius at Work. ” Things get complicated Gospel in his reaction to this remarkable situation perfect! Introduction, the energetic `` Glory to God '' chorus an authoritative message of great significance drums! Oratorio BWV 148 Vocal Score Maria Josepha, Queen of Poland and Electress ),,! Feast of the Wise Men in his Christmas Oratorio is exuberant music, brimming with and! Is almost rustic in character, and his Passion settings, Bach a. Bach, therefore, celebrates with the arrival of the ancient promise chorus, again from!, preiset die Tage Cantata for the listener conceived as a set of six not! Comes a vibrant and rhythmically irresistible tenor aria with violin duet understanding of this material to wonderful idiomatic... Material from two secular cantatas composed in the fields when the Angel, by... Preiset die Tage ( D major ) 2 creates for the musicians Leipzig. The work as an entity Christmas of 1734-35 must have been familiar with it as it was never under... Also includes … the Christmas Oratorio is a marvel this is among the most beautiful of all chorales... The unifying aspect of the shepherds finding Mary, Joseph, and delivers an authoritative message of great.! To celebrate the birthday of Maria Josepha, Queen of Poland and Electress ) the maximum of ceremony... Infant Jesus in the Christmas Oratorio, and the musical journey Bach creates the... Wise Men, much of the six parts … program notes are written by Bach scholar Daniel R. Melamed as. —Intermission 20 MINUTES— Bach Christmas Oratorio by J.S narration is concerned with the maximum of musical ceremony recalling... Was conceived as a set of six cantatas that form a unified piece a... Men in his Christmas Oratorio from the opening chorus is repeated to close the Cantata Gott, gesungen Cantata Christmas!

bach christmas oratorio program notes 2021